Praise for THE MELTDOWN

"King...is rising quickly. A fast, articulate player whose roots trace to both Bud Powell and McCoy Tyner, he invest every track with a solid piano-based rhythmic drive and harmonic foundation. The tunes are consistently provocative...and filled with startling twists and turns in virtually every piece...the album is performed with an attractive, innate feeling of musical enthusiasm."
Don Heckman, LA Times

"The Meltdown" reminds us that King is an excellent pianist and perhaps the best of the young composers."
Bob Blumenthal, Boston Globe

"Pianist and composer King defies neat classification since his eclectic stylings open the spectral varieties of versatile expression."
Ron Welburn, JazzTimes

"The Meltdown's nine originals and two standards are filled with lyricism, swing and passion."
Ken Franckling, UPI Arts & Entertainment

"Pianist and composer Jonny King has come up with a winning sequel to last year's Notes From the Underground...King, heard in a larger, more percussive setting this time out, makes the sort of logical-yet-edgy postbop you'd expect from a brainy guy who's in touch with his feelings."
Gene Kalbacher, CMJ Music Report

"King who just released a strong album , is a prime exponent of the experimental mainstream in jazz. His compostions, unusual in their structure, force improvisers to think."
Peter Watrous, The New York Times

"Like King's two earlier CDs - "The Meltdown" features mostly well-crafted originals by the leader, who successfully melds a modern dissonant edge with compelling lyricism. Here though, the tunes are even a shade warmer...This is easily his best record..." Zan Stewart, Stereophile

Praise for NOTES FROM THE UNDERGROUND

* * * * 1/2 "One of the best rushes in jazz is when you hear a band like Jonny King's for the first time and instantly know you have found something truly exceptional. The fires of inner necessity illuminate both tone poems ("Soliloquy") and hard stuff ("Caffeine") alike...King's playing is fiercely percussive, with left-hand accents that clang like Monk's, and a right hand that rains startling clusters, all connected... Notes From the Underground marks him as one of the strongest piano voices of the new generation, and a bandleader who kicks ass."
Thomas Conrad, Downbeat

"King and company manage to arrive at new and fascinating destinations. What makes this disc even more impressive is King's piano work, which has a mature and individualistic touch that is rarely found in players of his age...a logical sense of melodic development and beauty."
Jazz and Blues

"...a rapidly developing voice of his own as a player and composer. King's more uncommon talent, a capacity to generate a flowing sense of swing within a frame of lyrical melody, becomes most apparent in a trio track "Soliloquy," and a joyously sardonic rendering of the standard "Mean to Me."
Don Heckman, Los Angeles Times

"...his second album, Notes From the Underground, is the work of a complex, but lucid pianist...King writes some of the best and most intriguing post-bop tunes of musicians in his peer group, music with mood and content that invite repeated listening."
Peter Hum, Ottawa Citizen

"Following a sterling debut for Criss Cross, King has jumped ship to Enja for this heady neobop quintet session. Having performed in Joshua Redman's quintet , King taps the tenor/soprano saxist to front a crack rhythm section...but make no mistake this is King's show, and his six original compositions carry the day, unfolding in inventive yet unpredictable ways..."
Gene Kolbacher,CMJ


Other Praise for Jonny King

"Pianist Jonny King represents the best of what jazz has to offer in the 90s. Well-educated, urbane and articulate, King translates his intelligence into sophisticated and finely-wrought performances and compositions."
Sid Gribetz, JazzTimes

"...the acute instincts and the easy touch of a well-schooled natural."
The New Yorker

"He's a thinkers' composer and pianist, a young mainstream musician whose work is subtle and as such respected by musicians."
Peter Watrous, The New York Times

"King must have discovered early in life the full ramifications of the fact that the piano is a percussion instrument, since his touch and attack on the keys are a marvel of precision, variation and sensuality. King's compositions are first-rate, serious jazz works."
John Payne, Harvard Magazine

"Perfect in performance, a fine exponent of McCoy Tyner, who also likes the bluesy snap of Wynton Kelly's style."
The Cleveland Plain Dealer

"Jonny King appears to be the real thing ... there's a kind of clarity to his lines and thinking that gives you confidence this guy will be around for a while."
Paul DeBarros, The Seattle Times

"...tremendously, talented pianist..."
The Houston Post